So suicide is certainly a complex, pressing issue in Japan.
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In the midst of all of this, The Perfect Suicide Manual by Wataru Tsurumi was on Japanese bestseller lists for years in the late 1990s. Many species of Buddhism accept reincarnation, and Shinto has a potential "life after death" as kami. The major Japanese religions are Buddhism and Shinto. Japan is also a culture where a more cyclical view of time and nature is common. At the same time, there is a cultural history of suicide being "honorable" in Japan, at least in some contexts, yet contradictorily, suicide has also been looked at as strongly taboo by the Japanese, as something not even to be talked about. The Japanese government's Ministry of Health developed a special program to combat the phenomenon. 33,000 Japanese had killed themselves in 2000. For example, in the late 20th/Early 21st Century, and especially in 2001, the year before Suicide Club was released, a big news story in Japan (and elsewhere, including BBC and CNN reports) was their relatively high suicide rate. At the same time that much of it may be intentionally cryptic, designed to open up the interpretational field, I think that much of the film is more transparent than its often David Lynch-like surrealism would suggest.
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An analysis of each scene would be interesting and informative, but it would take far more than 1000 words (the space IMDb allows).
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By that I mean that it is packed full of meaning, symbolism, references and such. But at any rate, my current take on the film is that it is an extremely twisted, broad-ranging exegesis on many facets of Japanese culture (and to an extent, it can be applied to other cultures, as well) that is issuing sharp criticism at the same time that it is showing reason for hope. I don't think mine is the "right" one-I don't even agree that there would be a "right" interpretation. Everyone is likely to have their own, and not a few will probably insist that their interpretation is the "right" one. As for "what it really means" (assuming we could even agree on how that could be determined), it is wide open for interpretation. In terms of sheer spectacle, surrealism and the impact of its scenes, Suicide Club is simply an amazing, groundbreaking film.
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As Detective Kuroda (Ryo Ishibashi) and crew investigate, they begin to suspect that maybe there's more to it than simple suicide. A suicide epidemic is sweeping Japan, even among hordes of teenaged girls who are making pacts with each other and offing themselves together.